The Hammer and the Flute
Women, Power, and Spirit PossessioneBook - 2002
Keller (religious studies, U. of Stirling, Scotland) presents a methodological argument about how contemporary scholars approach the possession of women by spirits, ancestors, or deities. Informed by postcolonial theory and feminist philosophy, Keller traces the history of possession studies, discusses contemporary arguments about agency, proposes a new theoretical framework of "instrumental agency," and then applies the concept to four specific examples: possession on the shop floors of contemporary, multinational manufacturing plants in Malaysia; the role of the Nehanda spirit mediums during the first and second revolutionary wars in Zimbabwe; and the representations of possessed women in two plays: Euripides' Bacchae and S. Y. Ansky's Dybbuk . Annotation c. Book News, Inc., Portland, OR (booknews.com)
Johns Hopkins University Press
Feminist theory and postcolonial theory share an interest in developing theoretical frameworks for describing and evaluating subjectivity comparatively, especially with regard to non-autonomous models of agency. As a historian of religions, Mary Keller uses the figure of the "possessed woman" to analyze a subject that is spoken-through rather than speaking and whose will is the will of the ancestor, deity or spirit that wields her to engage the question of agency in a culturally and historically comparative study that recognizes the prominent role possessed women play in their respective traditions.
Drawing from the fields of anthropology and comparative psychology, Keller brings the figure of the possessed woman into the heart of contemporary argument as an exemplary model that challenges many Western and feminist assumptions regarding agency. Proposing a new theoretical framework that re-orients scholarship, Keller argues that the subject who is wielded or played, the hammer or the flute, exercises a paradoxical authority—"instrumental agency"—born of their radical receptivity: their power derives from the communities' assessment that they no longer exist as autonomous agents.
For Keller, the possessed woman is at once "hammer" and "flute," paradoxically powerful because she has become an instrument of the overpowering will of an ancestor, deity, or spirit. Keller applies the concept of instrumental agency to case studies, providing a new interpretation of each. She begins with contemporary possessions in Malaysia, where women in manufacturing plants were seized by spirits seeking to resacralize the territory. She next looks to wartime Zimbabwe, where female spirit mediums, the Nehanda mhondoro, declared the ancestors' will to fight against colonialism. Finally she provides an imaginative rereading of the performative power of possession by interpreting two plays, Euripides' Bacchae and S. Y. Ansky's The Dybbuk, which feature possessed women as central characters. This book can serve as an excellent introduction to postcolonial and feminist theory for graduate students, while grounding its theory in the analysis of regionally and historically specific moments of time that will be of interest to specialists. It also provides an argument for the evaluation of religious lives and their struggles for meaning and power in the contemporary landscape of critical theory.
Blackwell North Amer
The possession of the body - particularly the body of a woman - by spirits, deities, and ancestors is a phenomenon common to a number of religions. Ethnographers have often studied cases of spirit possession to decode a society's cultural values and belief systems. In The Hammer and the Flute: Women, Power, and Spirit Possession, however, Mary Keller approaches the spirit possession of women as a historian of religion informed by postcolonial theory and feminist philosophy, challenging the prevalent interpretation that possessed women are victims of psychological disturbance or are actively manipulating their audiences. Proposing a new theoretical framework, "instrumental agency," Keller offers a far more nuanced portrait of spirit possession as a negotiation with multiple kinds of power which requires a radical receptivity on the part of the possessed persons and as a reorientation of scholarship.